Awe

Reverence

Confronting magnitude that exceeds the self. Awe is the response to something too large for existing categories, and it forces the categories to change. Awe with dread is numinous. Awe after the overwhelm passes is settled.

The word

Usually traced to the Old Norse agi, terror, alongside the Old English ege. For most of its history awe meant dread before God, and its offspring keep the split: awful took the terror, awesome took the admiration, and the parent word kept both. The reverent modern sense is the old fear with the trembling worn smooth.

The feeling

The categories stop fitting and the system pauses to rebuild them. Speech drops away first; the body goes still and slightly cold, the way it does in large rooms. The self stays and reports itself smaller, and the reduction registers as accurate, with no humiliation in it. What remains afterward is a recalibrated sense of scale that can persist for days.

Against its neighbours

Wonder keeps asking questions; awe is what happens when the question is too large to form. Sublimity needs the threat kept visibly in frame; awe needs only magnitude, and can arrive in front of things that mean no harm.

In the work

Scale used honestly. The frame admits it cannot hold the subject, and the figure is placed where the viewer would stand.

12 works composed with Awe

Composed with

Also in Rising

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