Fear

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Aroused threat response. The body's full activation against something present and identified. Fear has an object. Dread has an approach and anxiety has neither, which is what separates the three.

The word

From the Old English faer, which named not the feeling but the event: a sudden attack, a calamity, an ambush. German keeps the older sense in Gefahr, danger. Only in Middle English did the word migrate inward, from the thing that strikes to the state of the one struck.

The feeling

Instantaneous and total. Heart rate spikes, hearing narrows, time dilates so that fractions of a second arrive itemized. Thought is not absent but conscripted; everything is computing distance and exit. The state is honest in a way few emotions are: one object, one message, no interest in being interpreted.

Against its neighbours

Dread is before; fear is during. Anxiety runs the same alarm with no object attached; fear has a target it can point to, which is why fear ends when the target does and anxiety does not.

In the work

Structure failing under load. The figure loses its outline before it loses its place, and the surrounding field arrives faster than the eye can follow.

1 work composed with Fear

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Also in Volatile

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