Fear
Collapse
Aroused threat response. The body's full activation against something present and identified. Fear has an object. Dread has an approach and anxiety has neither, which is what separates the three.
The word
From the Old English faer, which named not the feeling but the event: a sudden attack, a calamity, an ambush. German keeps the older sense in Gefahr, danger. Only in Middle English did the word migrate inward, from the thing that strikes to the state of the one struck.
The feeling
Instantaneous and total. Heart rate spikes, hearing narrows, time dilates so that fractions of a second arrive itemized. Thought is not absent but conscripted; everything is computing distance and exit. The state is honest in a way few emotions are: one object, one message, no interest in being interpreted.
Against its neighbours
Dread is before; fear is during. Anxiety runs the same alarm with no object attached; fear has a target it can point to, which is why fear ends when the target does and anxiety does not.
In the work
Structure failing under load. The figure loses its outline before it loses its place, and the surrounding field arrives faster than the eye can follow.
3 works composed with Fear
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INFINITE, uncapped. Open the tier key.$75- Dt2
- Wt
- Ln
- Fr
- Pt
Weight On My Faith
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INFINITE, uncapped. Open the tier key.$75- Ln2
- Ig
- Fr
- Wt
- Du
So Sick of Feeling
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APEX, 1 edition. Open the tier key.
$418SOLD- Cg2
- Fr
- Pr
- Wb
Embracing My Demons
How big, actually.
Drawn to scale against a person of average height. Every size is a 4:5 rectangle, the same proportion as the work itself, so nothing is cropped to fit.
Sizes are the printed image. Framed works add the moulding around that. Standard US shipping is free at every size.
Paper, or canvas.
Same image, same inks. What changes is the surface it is printed on. Tap either one.
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PRINT
Hahnemühle Photo Rag
The paper itself. A heavy 100% cotton matte sheet with a smooth surface, printed edge to edge with no border. Ships flat, or rolled in a tube at large sizes.
- Every size, up to 40 × 50
- You pick the frame
- Just paper and ink
- Needs framing to hang
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CANVAS
Satin poly-cotton, gallery wrap
Printed on canvas, then stretched by hand over solid wood. The image continues around the sides, so there is no border and no glass.
- Hang it the day it lands
- No glass, no glazing
- Real depth off the wall
- Up to 36 × 45
Series 001 numbers are shared across every size and material, and the certificate records exactly which object you own. Open editions carry no number and no certificate.
Framed, or not.
One frame, satin black, solid wood. We pick the moulding that suits the size and the material, so it arrives ready to hang. Tap either one.
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NONE
The work, as it is
A paper print ships flat or rolled and you frame it your way. A canvas needs nothing: it is stretched, wired and ready for the wall the day it lands.
- The lightest to ship
- Your framer, your call
- Canvas hangs as it is
- Every size
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BLACK
Solid wood, chosen for the size
Sealed, hung with hardware fitted, nothing left to arrange. Paper sits behind acrylic; canvas floats inside the moulding with no glass at all.
- STANDARD BLACK ⅞ in face · ¾ in deep · behind acrylic Paper, 8 × 12 and 12 × 18
- ALTO BLACK THIN 1⅜ in face · ⁹⁄₁₆ in deep · behind acrylic Paper, 16 × 24 and up
- BLACK 2 FLOAT ⅜ in face · 2 in deep · ¼ in reveal · no glass Canvas, every framed size
Framed work ships boxed with the hardware fitted. The largest sizes are sold unframed, because a frame that size can only travel by freight.
The list hears first.
Composed with
- Ln Loneliness 2 works
- Wt Weariness 2 works
- Cg Courage 1 work
- Dt Devotion 1 work
- Du Duende 1 work
- Ig Fervour 1 work
The rest of the Volatile family
Where Fear sits Fr · VOLATILE FAMILY
OPEN THE TABLEVOLATILE FAMILY75 NAMED · 5 UNDISCOVEREDTAP ANY CELL TO OPEN ITS PAGE


