- Su2
- En
- Dz
- Dr
- Ab
False Awakening
Entrancement is the suspension itself, the haunting melody that fixes the gaze above the chaos and will not release it.
Ensnarement
Fascination that immobilises. Beauty as arrest, holding attention past the point where the viewer would have chosen to look away.
From trance, Old French transe, which meant the passage of dying and the dread of it, from the Latin transire, to pass over. To be entranced was originally to be carried into that deathlike passage. The word's modern softness is recent; underneath, it still describes being taken somewhere without consent.
The decision to look away is quietly removed. Attention narrows to the object and stays; blinking and posture go unattended, and time passes without being counted. There is no urgency in it, which separates it from craving: the state is complete while it lasts. Its end is usually external, an interruption, because the exit was never inside.
Aesthetic Pleasure releases the eye when the looking is done; entrancement withholds the release. Wonder is active, generating questions; entrancement generates nothing, holds everything, and calls the holding itself the point.
The eye is not released. Detail accumulates at the centre past the point where a reading can be finished, so the gaze keeps going back to it.
Entrancement is the suspension itself, the haunting melody that fixes the gaze above the chaos and will not release it.
Entrancement does the holding: the eye is caught and kept, fascination doing the work of a hook.
Entrancement carries the piece: the pull into the heart is a spiral, fascination that holds fast once the fall inward begins.