Abject

The Sublime-Dark

A WORD ENGLISH NEVER MADE · READ THE CUSTOMS HOUSE

The horror at what breaks the boundary between self and not-self. What must be expelled to remain intact, and the fascination that survives the disgust.

The word

From the Latin abicere, to cast off. Julia Kristeva gave it its modern weight in 1980: the abject is what a self throws out in order to remain a self, and the horror when it comes back into view.

The feeling

Revulsion with the self implicated. The corpse, the wound, the thing that was inside now outside. The border between you and not-you fails for a moment, and the failure is the feeling. It repels and fascinates in the same motion, which is why it is impossible to look at and impossible not to.

Against its neighbours

Disgust rejects an object and is done. Abjection registers a collapse: the object was never fully separate from you. Dread fears what approaches; the abject horror is that it is already partly you.

In the work

Beauty that will not stay clean. Decay treated with the same reverence as light, refusing the viewer an easy place to stand.

7 works composed with Abject

Composed with

Also in Rare-Liminal

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